Paolo Uccello | Obsessed With
Perspective
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Niccolò da Tolentino
Leads
the Florentine Troops
(Battle of San Romano)
by Paolo Uccello
1450s, tempera on wood, 182 x 320 cm
National Gallery, London |
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The Florentine painter Paolo di Dono is better known as Paolo
Uccello (1397-1475), and his masterworks are his history paintings
of The Battle of San Romano. These dramatic tempera
renderings by Uccello were probably commissioned for the Palazzo
Medici in
Florence. Like other Early Italian Renaissance artists
such as Brunelleschi,
Masaccio, and Ghiberti, Paolo was
fascinated by the problem of perspective. In
Uccello's San Romano works, the warriors with their
jutting lances remind us of medieval chivalric compositions in
which the figures are stiff-limbed and wooden looking. Paolo
Uccello attempted to make his figures protrude from the flat
picture plane, largely by use of strong contrast in light and
dark elements rather than three-dimensional modelling. Paolo
Uccello's carousel horses and cartoonish figures are highly
ornamental, Gothic in style in their use of decorative detailed
surface texture.
Paolo Uccello had a keen interest in applied geometry and
perspective.
A very talented artist, Paolo Uccello was reportedly obsessed
with applied geometry and the new perspective, spending many hours
rendering various object in foreshortening.
Uccello's depiction of a fallen figure on the ground is impressive
and the first of its kind, probably causing quite a sensation among
artists at the time. Paolo's use of perspective is further
demonstrated by his depiction of broken lances on the ground all
pointing toward a common vanishing point on the stage-like
battlefield.
Brenda Harness, Art Historian
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