Andrea Mantegna | Leading the Way with
Illusionism
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Oculus by Andrea Mantegna
1471-74, fresco, diameter 270 cm
Camera degli Sposi, Palazzo Ducale,
Mantua, Italy |
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Northern Early Italian
Renaissance painter and engraver Andrea Mantegna (1431?-1506)
is best known for painting heroic figures depicted in sharp
perspective
through the use of dramatic foreshortening.
Andrea Mantegna often placed the subject of his work high up in
the picture plane to give the illusion that the viewer is
looking up from down below.
Andrea Mantegna had a keen interest in the culture of ancient
Rome, and he was acquainted with many scholars who collected and
studied Roman antiquities. Andrea Mantegna married Nicolosia
Bellini in 1453, and his work influenced that of her brothers
Giovanni and Gentile
Bellini, who also became famous masters of Italian Renaissance
painting.
Andrea Mantegna's illusionistic style kept him in constant
demand
In 1459 Andrea Mantegna moved to Mantua to work for the ducal
court of Ludovico Gonzaga where he remained until death. Andrea
Mantegna painted a remarkable fresco cycle in a small room of the
ducal palace called the Camera degli Sposi (wedding
chamber) where he created an illusionistic open-air pavilion on the
walls and ceiling.
On the ceiling, Andrea Mantegna painted a dome with an oculus
depicting an open sky, complete with figures of people and winged
cherubs looking down on the viewer through the illusionistic oculus
opening. Such a technique is called trompe
l'oeil or illusionism
which means "to fool the eye".
Through his illusionistic
style, Andrea Mantegna paved the way for later artists of the
Italian Renaissance and Baroque eras. Andrea Mantegna's influence
can be seen also in the works of Correggio
and artists working in the mannerist style. Through study of his
works, German artists like Albrecht
Durer became aware of the ground-breaking artistic advances of
the Italian Renaissance.
Brenda Harness, Art Historian
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