The Outrageous Life of Benvenuto Cellini | His
Autobiography
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Perseus by
Benvenuto Cellini
1545-54, bronze
Loggia dei Lanzi, Florence
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Few men have lived life as full as late Italian Renaissance
mannerist
artist, Benvenuto Cellini. Born in 1500, Benvenuto
Cellini would be thrilled that we still talk about his
life five hundred years after his birth. After all, that
is what he intended. That is why Benvenuto Cellini
recorded his life in an autobiography at the age of
fifty-eight, confident that history would remember him.
And we do remember the life of Benvenuto Cellini, not
only as a master goldsmith and sculptor, but as an author
who wrote one of the most significant documents of the
sixteenth century.
Benvenuto Cellini began the riveting tale of his life by
advising other potential authors on how to write their own
autobiographies, first by informing their readers that they
come from worthy stock and ancient origin. In accounting his
life, Benvenuto Cellini claims descent from an Italian man,
Fioreno of Cellino, whose life was spent as guard captain in
the service of Julius Caesar, some sixteen hundred years past.
Benvenuto Cellini claimed that Caesar named the town of
Florence after his captain to honor him. Most historians
believe that Florence was named to honor the goddess Flora,
whose followers had an annual festival. The written life of
Benvenuto Cellini, does not mention Flora.
Unmindful that his flute playing sent his doting father into
sighing, tearful ecstasy, the life of Benvenuto Cellini took a
different direction. Forsaking paternal wishes that he become a
musican and composer, Benvenuto Cellini instead shunned the
hated flute and chose instead the goldsmith's life.
Benvenuto Cellini actually knew and worshipped Michelangelo
Buonarroti and it is from his autobiography the we learn
something of the life of Michelangelo. Cellini recorded a
conversation he had with Italian sculptor, Piero Torrigiano, in
which Torrigiano admitted to breaking Michelangelo's nose when
they both were boys. We see evidence of Torrigiano's deed in
portraits of Michelangelo where he appears to have a crooked
nose.
The exploits of Cellini are too numerous to relate.
Throughout the life of Benvenuto Cellini, kings, dukes, and
popes sought him out for his works of exquisite craftsmanship,
while villains, thieves, and necromancers knew him for far less
noble reasons. The colorful exploits of Benvenuto Cellini
chronicled in his autobiography give us insight into the flavor
of Italian Renaissance life through his unique perspective. If
Benvenuto Cellini's account of his life is true as much of it
appears to be, it is surprising that the artist had time for
art. He died in Florence in 1571 at the age of 71 leaving
behind a magnificent legacy of work.
Still in the news today, Cellini's grandiose gold and enamel
masterpiece, the Saltcellar of Francis I executed in
1540 for the King of France and valued today at $60,000,000,
was recovered recently after being stolen from a museum in
Vienna. The art world continues to appreciate the life and work
of Benvenuto Cellini, even if he does tell us himself of his
greatness. No one blows his own horn louder than Benvenuto
Cellini.
Brenda Harness, Art Historian
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