The Life and Work of Sandro Botticelli
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The Birth of
Venus
Sandro Botticelli, c. 1485-86
Tempera on canvas, 172.5 x 278.5 cm;
Galleria degli Uffizi, Florence,
Italy
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Click here
to see
a hand painted oil
reproduction
of Botticelli's Birth of
Venus.
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The life and work of Sandro Botticelli were seldom mentioned
for several centuries following the end of the Italian Renaissance. The
name Sandra Botticelli is so well known today that it is
surprising that his life and work merited so little attention
for so long.
Sandro Botticelli was born in 1445, and he began his
artistic life working as an apprentice to a goldsmith. Life in
Florence would have been stimulating for a young man like
Sandro Botticelli, and his work was patronized by the powerful
Medici
banking family, Florentine churches, and even the papacy for
whom he executed frescoes in the Sistine Chapel in
Rome. An interest in his life and work was resurrected by the
nineteenth century Pre-Raphaelites, a Victorian brotherhood of
artists who turned away from the High Renaissance art
epitomized by Raphael.
Late in life, Sandro Botticelli destroyed many of his own
works.
The masterpiece works of Sandro Botticelli done in mid-life
are the famous Birth of Venus and its companion piece,
Primavera, painted for the villa of Lorenzo di
Pierofrancesco de' Medici in Castello, later known
as Lorenzo the Magnificent. Late in life, Sandro
Botticelli developed a fervent religiosity, destroying many of
his own paintings as he fell under the spell of the monk Fra
Girolamo Savonarola.
Denouncing Florentine worldliness, Savonarola was burned at the
stake in 1498. Greatly affected by the death of the monk, after
1500 Sandro Botticelli painted very little in his remaining
life, eventually giving work up altogether. He died in
1510.
Boticelli was an apprentice early in life to Early Renaissance painter Fra
Filippo Lippi. He was influenced by Verrocchio, and worked with
Antonio del Pollaiuolo.
Brenda Harness, Art Historian
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