Nero's Golden House | The
Influence of Classical Greek Sculpture on Italian Renaissance
Art
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The
Laocoon by
Athanadoros, Hagesandros, and
Polydoros
of Rhodes, 1st century B.C.E.
Hellenistic Classical Greek Sculpture,
Vatican Museums, Rome
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Buy your own sculpture reproduction of this
famous art work.
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The Roman emperor Nero collected classical
Greek sculpture from all over the empire to decorate
his Domus Aurea, or Golden House, a pleasure
palace. One such classical Greek sculpture of the Hellenistic
period was the famous Laocoon. When Michelangelo was
in Rome to begin work on the Tomb of Pope Julius II,
he was actually present at the discovery of the classical Greek
sculpture of the Laocoon. In 1506, a young man in Rome
fell through a hole in the Aventine hillside to find himself in
a cavernous space surrounded by painted figures. This grotto
was the subterranean remains of Nero's Golden House,
buried beneath later Roman construction after the suicide of
the despot.
Italian Renaissance Artists Flocked To Nero's Golden House
To See Newly Found Classical Greek Sculpture
Since its discovery, this grotto attracted artists like
Raphael and
Michelangelo,
and many others who went down shafts to study the classical
Greek sculpture and frescoes, carving their signatures into the
walls. Classical Greek sculpture like the
Laocoon played a large part in the development of
Italian Renaissance
art with its emotional, bold figure style. The classical
Greek sculpture of the Laocoon was found within the
center room of the Domus Aurea. This new antique
source material instantly electrified creative minds. Artists
were not only influenced by the classical Greek sculpture found
there, but by the decorative elements of Roman fresco style
with its elaborate swags and landscapes with figures. The
Domus Aurea covered a vast space, occupying three of
the seven hills of Rome. It is said that Nero imprisoned Rome's
finest painter in it to decorate his new palace.
Brenda Harness, Art Historian
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