{"id":10042,"date":"2026-10-20T03:18:27","date_gmt":"2026-10-20T03:18:27","guid":{"rendered":"https:\/\/finearttouch.com\/blog\/?p=10042"},"modified":"2026-10-20T03:18:27","modified_gmt":"2026-10-20T03:18:27","slug":"for-that-knee-alone-a-tale-of-italian-renaissance-rivals-part-2","status":"publish","type":"post","link":"https:\/\/finearttouch.com\/blog\/2026\/10\/20\/for-that-knee-alone-a-tale-of-italian-renaissance-rivals-part-2\/","title":{"rendered":"For That Knee Alone, A Tale of Italian Renaissance Rivals Part 2"},"content":{"rendered":"\n<table><tr><td> <a href=\"https:\/\/finearttouch.com\/blog\/?p=10041\">&lt;&lt; Previous<\/a> <a href=\"https:\/\/finearttouch.com\/blog\/?p=10041\">1<\/a> [2] Next &gt;&gt;<\/td><\/tr><\/table>\n\n\n\n<p class=\"wp-block-paragraph\">Raphael\u2019s work in the <strong>Vatican Stanze<\/strong> was open to the curious; while Michelangelo left strict orders that no visitors were to be allowed in the Sistine Chapel. Michelangelo, busy as a bee himself, consumed with a daunting task, apparently had little interest in Raphael\u2019s work. But Raphael had an interest in his. He paid a secret visit aided by the pope to view Michelangelo\u2019s ceiling in progress. So profoundly did it affect him that he returned to his work in the <strong>Stanza della Segnatura<\/strong>, the pope\u2019s private library, where he proceeded to pay tribute to Michelangelo by incorporating a seated figure of Michelangelo in the foreground of his masterpiece fresco, <i>The School of Athens.<\/i> That\u2019s only the background for this little story. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Perhaps not so well known then as his Madonna\u2019s or his magnificent Vatican frescoes, Raphael Sanzio also executed a stunning fresco of <i>The Prophet Isaiah<\/i> in Sant\u2019Agostino in Rome in 1511-12. The donor patron of <i>Isaiah<\/i> was the Head Chancellor of the Papal Court, Johannes Goritz of Luxemburg. Ruffled by what he considered to be an exorbitant price for the painting by Raphael, Goritz solicited Michelangelo for his opinion of its worth. Michelangelo looked at the painting of his chief rival with its powerfully rendered figure of the prophet. Rarely one to acknowledge the genius in others, Michelangelo simply replied, \u201c<em>For that knee alone, it is worth the price<\/em>.\u201d <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brenda Harness, Art Historian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brenda Harness is a practicing artist, art historian, and former university teacher writing about a variety of topics pertaining to art and art history. Visit her at <a href=\"https:\/\/finearttouch.com\/blog\/\">Fine Art Touch<\/a>. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">For more information on Italian Renaissance Art and book recommendations, <a href=\"https:\/\/finearttouch.com\/blog\/?page_id=10039\">click here.<\/a><\/h2>\n\n\n\n<table><tr><td> <a href=\"https:\/\/finearttouch.com\/blog\/?p=10041\">&lt;&lt; Previous<\/a> <a href=\"https:\/\/finearttouch.com\/blog\/?p=10041\">1<\/a> [2] Next &gt;&gt;<\/td><\/tr><\/table>\n","protected":false},"excerpt":{"rendered":"<p>&lt;&lt; Previous 1 [2] Next &gt;&gt; Raphael\u2019s work in the Vatican Stanze was open to the curious; while Michelangelo left strict orders that no visitors were to be allowed in the Sistine Chapel. Michelangelo, busy as a bee himself, consumed with a daunting task, apparently had little interest in Raphael\u2019s work. But Raphael had an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-10042","post","type-post","status-publish","format-standard","hentry","category-italian-renaissance-art"],"_links":{"self":[{"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/posts\/10042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/comments?post=10042"}],"version-history":[{"count":1,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/posts\/10042\/revisions"}],"predecessor-version":[{"id":10266,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/posts\/10042\/revisions\/10266"}],"wp:attachment":[{"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/media?parent=10042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/categories?post=10042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/finearttouch.com\/blog\/wp-json\/wp\/v2\/tags?post=10042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}